The Daily Tofu

A place for art, culture, history, and creation

Travel: The Valley of Fire - Nevada's First State Park

Travel, NatureTrey TakahashiComment

A look at the orange-red rocks near the main visitor center. Photo: Trey Takahashi

We set out in the early morning to beat the summer sun, leaving the Vegas valley in early dawn just past 6 A.M. Water loaded in back, a quick grab meal in hand, art supplies and old beat-up pickup truck ready to hit the outdoors. Four artists ready to hit the road, anticipating whatever inspiration might come when glancing at rock formations as old as time can remember. Taking the I-15 out of Vegas on onto the Valley of Fire freeway into the park itself meant a drive that would take a little over an hour to reach our destination, but a destination well worth the drive. Today we would be visiting the Valley of Fire Nevada State Park to hike, explore, and experience the great burning rock formations and natural beauty that the Mojave has to offer.

Some of the great "wave" like patterns on the rocks near the Rainbow Vista, caused by countless years of erosion. Photo: Trey Takahashi

The history of the park in human history goes back to the days of the Pueblo people, the indigenous tribes that roamed the Mojave Desert from approx. 300 B.C.E. to 1150 C.E. Here they would mark the walls with petroglyphs, which has stood the test of time still observable on various rock faces throughout the park. In the following years once they left, traces could be found of various explorers and people crossing the valley. Stories of adventurers and heroics stretch out into the valley, after all, the place is a picturesque setting for any sort of nefarious affair.

As we entered the park, the rocks immediately jumped out along the roadside. Several formations popped up as the turn-out signs started pointing to different trailheads, each with their own unique destination to check out some crazy formation. Our first stop along the way was a quick one; we stopped to do a quick circuit to observe old logs that had once fallen and preserved in the form of a fossil. "Do not disturb the petrified wood," read a sign hung above  the chain link barrier surrounding the log, and with that we left her be. 

A view from some of the rock formations along the Rainbow Vista trail. Photo: Trey Takahashi

The park's modern history goes back 80 years to 1935 when Nevada began to designate official state parks to preserve the state’s natural beauty; the first being the iconic and ever magnificent Valley of Fire. In her creation the state designated a massive area of land covering nearly 35,000 acres situated between the (now) Lake Mead recreation area and the (now) Moapa Indian reservation just south of Overton, Nevada. Much like the national parks scattered across the nation, it was clear from early in Nevada's history that there should be preserved areas in the massive sprawling wilderness held within her borders, and while national parks were popping up across the nation some of Nevada's hidden beauties were not really on the radar for such designations as deserving as they should be. As a testament to the beauty of the Valley of Fire it was designated a National Natural Monument in 1968.

The brilliant red rocks light up in the desert sun. A majestic bighorn sheep looks out toward the valley. Photo: Trey Takahashi

Following the winding roads we passed the visitors center's closed doors and continued to move throughout the park. Gazing at the rocks as they passed the sides of the narrow roads, and witnessing the formations passby. "Look! A bighorn sheep!" The call immediately has us pull over and take a moment to capture the creature perched up on the rocks. Quickly I pull out my camera and try to capture it as best I can from the narrow shoulder of the road and take a few shot. Curse not packing my 400mm telephoto, still a few shots in the sheep grew tired of us and walked on. Not the most common of sights, it is always best to head out in the early morning or evening to catch a glimpse of the wildlife in the park.

The rock formations on the Rainbow Vista are awe inspiring. Photo: Trey Takahashi

The Valley of Fire is home to dozens of species desert wildlife that is always a pleasure to witness in the sands of the Mojave. Desert tranchulas will wonder in the summer months in the evening, and at night a kangaroo rat and their natural predator the kit fox are not uncommon sights. In many ways the Valley of Fire acts as a nature sanctuary to a host of different animals that are impossible to miss. Just hiking the the summer sun and the shadows of dozens of tracks from hairs, lizards, and snakes will reveal themselves with their shadows. 

Drawing the desert landscapes along the  Rainbow Vista Trail. Photo: Trey Takahashi

We hit Rainbow Vista next, taking heed to the "Extreme Heat: Hiking Not Recommended" signs posted on the trailhead. The summer heat is no joke, but with a stock of water on our backs we pressed into the beginnings of the trail. It was not long until we found a nice place of situate ourselves amongst the desert rocks. Let the painters paint in the surrounding wilderness. My companions laid out their brushes as I moved about taking pictures of the surrounding wilderness. The light reflecting off the rocks and the brilliant colors of the rocks makes for an excellent picture. In-fact the park has hosted its fair share of professional shoots from movies to still pictures. Harboring the creativity of generations, the Valley of Fire is a place deserving to be explored.

-Trey Takahashi

A friend sits atop the rocks along the Rainbow Vista trail, painting the surrounding scenery. Photo: Trey Takahashi

Photography: Clarus MS-35 Lenses - Elgeet 4" Telephoto, Wollensak 35mm wide

PhotographyTrey TakahashiComment

An early Clarus MS-35 model with the stock 2" lens. Photo: Genazzano @fotki.com

Digging through a host of old film equipment being restored and repaired for a new life, I ran across two lenses that had a strange mount system and had no real immediate information available about them. One was a Wollensak f3.5 35mm wide-angle lens, the other an Elgeet f4.5 4" telephoto. Intrigued as to what these two lenses were, I spent the next few days diving deep on the web to try and find out a bit of information, and what I found pointed me to an odd little ill-fated American range-finder 35mm camera known as the Clarus MS-35 from the post-war era.

In the post-war demand for consumer cameras, a small camera company popped up in Minneapolis, MN hoping to deliver a cheaper and reliable range finder camera to rival that of German imports such as Leica or Zeiss. In 1946 the company introduced its first model dubbed the MS-35, a range finder 35mm camera. Equipped with top shelf features at a fraction of the price, the MS-35 boasted a shutter capable of 1/1000 second speeds, several interchangeable lens offerings, and a solid tank-like construction (think Argus-like).  All of these promises came at a price half that of the popular Leica, just $120 USD (or $168 for the faster f2.0 50mm lens offering). As orders came flooding in and the first wave of units arrived in the hands if consumer’s flaws were immediately discovered: the shutter was often times unreliable and misfired occasionally and would not always shoot at the right speed, and some people complained about parts locking up tearing film when trying to rewind the camera. Soon enough this America camera full of promises was dubbed a lemon and had a bit of notoriety that came with it.

The Wollensak Raptar 35mm f3.5 in its original box. 

While shutter problems did exist, some collectors and camera enthusiasts say that the camera was unjustly targeted in a smear campaign. Regardless, the damage to Clarus' reputation was done and by 1952 having only ever producing one model of camera Clarus was forced to close her doors. Today the cameras sit as relics that hardly go mentioned, after all Leicas, Zeiss, Kodak, ad Argus usually come immediately to people's mind for people searching for a vintage camera. Still, this interesting camera had a lot to offer that might be quickly overlooked.

The clarus came with a few different lens offerings that were all interchange thanks to a (proprietary) screw mount. Most of the lenses offered including the base kit lens were manufactured by the Wollensak company; a company well known for their lenses in the 40s through the 60s before being absorbed into 3M. Now, for the Claris in particular Wollensak made produced a stock Velostigmat f2.8 50mm lens for the standard kit lens for the camera. While the Velostigmat lens was a high quality lens in its own right, the company also produced several lens offering for the camera as part of their Rapter line for those looking for higher precision lenses: Wollensak Raptar 35mm f3.5, Wollensak Raptar 101mm f3.5, and a Wollensak Raptar 2" f2.0. While out there and known because of their place in advertisements and in the hands of several collectors, they are incredibly hard to find.

The Elgeet 4" comes in a beautiful leather box with a velvet lining.

Perhaps even more intriguing is another lens offered in the unique Clarus mount: the Elgeet 4" f4.5 telephoto lens. Elgeet (now known as Navatar) was known for making high precision military/commercial grade optics but they also produced a wide variety of film lenses for 8mm and 16mm cameras. As far as I am aware, this is one of the few (if not only) Elgeet lenses manufactured for a 35mm film camera.

Now understanding the history behind these lenses, I had two very rare pieces of glass, but unfortunately no real way of shooting with them. Amongst the equipment they were found, there was not a Clarus MS-35 camera and for awhile they were shelved. That is until I discovered an eBay seller by the name ramir73 who sells a host of lens adapters for rarer glass to be adapted to full-frame mirrorless cameras. Shooting primarily with a Sony Alpha a7R, I picked up the adapter to hopefully bring some new life into these lenses

Elgeet primarily made telephoto cine lenses (c-mount) for 16mm and 8mm film cameras.

Update: Unfortunately the the adapter mentioned in this article was not able to work for the Sony Alpha a7R as intended due to it bypassing the original lens' helical (that is the section of the lens that moves the elements forward and back for focusing purposes). Hopefully an adapter can be made in the near future to bring these old lenses a breath of new life. Until then, keep posted!

Update #2: 7/29/2015: Contacting the same manufacturer of these rare lens adapters, it appears that he is able to make an adapter using the helical, and just mounting to the adapter using the original MS-35 screw mount. Time will tell if these lenses will have a fresh life breathed into them.

-Trey Takahashi