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Travel: The Pinball Hall of Fame - Las Vegas, Nevada

TravelTrey TakahashiComment

Rows of Pinball Machines, both new and old, line the walls of the Pinball Hall of Fame. Photo: Trey Takahashi

Las Vegas, home to some of the world's greatest resorts, a place where people come to blow their fortunes and live in excess. In a neon oasis, there is a flip side to all the glitz and glam, the underbelly of the facade. Everything here in Vegas is not about extravagance or excess, somethings just match the setting of an impossible city in the heart of wasteland.

Off the strip by several good miles and a couple blocks away from the University of Nevada-Las Vegas, a dimly lit warehouse stands along Tropicana Avenue. Lacking the stereotypical neon sign, there is not even lit sign with basic lettering. Rather, a plain text on yellow banner stretched over the front which read nothing more than:

"PINBALL HALL OF FAME"

It's not just Pinball, vintage arcade games from the 80s and 90s are also on display for play. Photo: Trey Takahashi

Despite being in this strange spot that would be entirely missed by any passerby, the parking lot remains partially full with the occasional small tour bus parked out front. Something good must be going on inside, and something good enough for people to seek out this odd little warehouse in the scathing desert heat. 

We approached the building, doors blacked out with few people outside and opened up the doors. With a sudden blast of cool air, bongs and bells blasting, and flashing lights coming from every direction. It was immediately what this whole place was about, and why so many people just had to stop by.

Inside there are rows of pinball machines by the dozen, new and old, rare and common. The Pinball Hall of Fame markets itself as a museum, yet it is a museum that walks the line between a place to see old artifacts from a different era, and a social place to play arcade games and socialize with friends. Essentially, the whole place is a museum, taking machines that date back to the 1930s and allowing anyone to stop by and drop a few quarters inside.

It is not the fanciest of places by any means, there are some panels missing from the ceiling; the bathroom door does not always close all the way; some of the stools scattered about are ripped and torn; and there are piles of junk and equipment stacked in the back on a workbench. Yet, despite all of this, I could not imagine it any other way. The Pinball Hall of Fame is something that the Las Vegas is not, where everyone there tries to sell itself as something picturesque, this place keeps itself authentic. It has undeniable charm and character. It is simply a place where people can come and enjoy what the machines were always meant to do, rather than seeing them behind glass.

The famous Fireball machine from 1972 in action, ready for a round of play. Photo: Trey Takahashi

The famous Fireball machine from 1972 in action, ready for a round of play. Photo: Trey Takahashi

This is not saying the place is a dump, after all, it still is a museum. While there may be a few roof panels missing the machines themselves are kept in astonishing shape. It's a good thing too, as some of the machines they have in the collection are astonishingly rare and in breathtaking condition.

One machine poised right up in the front row, as if a crown jewel of the collection, was one of only two ever produced. A pinball mecca that has several stories of play on the inside composed of winding metal ramps mimicking a circus trapeze. 

There is nothing quite like the Pinball Hall of Fame in Las Vegas, let alone anywhere. With many of the large arcades in the casinos closing their doors as Vegas shifts away from the days of a family oriented town, and the new Gameworks leaving much desired, there is something that the Pinball Hall of Fame offers that nothing else can: character.

Both tourists and locals alike try their hand at winning a replay and beating high scores. Photo: Trey Takahashi

-Trey Takahashi

Obscure Film: All This and World War II (1976)

Obscure FilmTrey Takahashi1 Comment

NOTICE: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

In the 1960s and 1970s, movie studios began to produce some truly bizarre films that broke away from the conventions of filmmaking. Waves of art films (experimental films) saw their release to either cable networks or to theatres, and many of them so bizarre that they completely fell out of the public’s consciousness. Nowadays, most folks will cite the Beatles’ Yellow Submarine (1968) as one of these such films. A wonderful combination of the music by the legendary rock group set to a truly obscure plot and animated style. However, there is a film that also takes the music from the Beatles and tries to paint a story with it, a film so bizarre and outrageous that it bombed from the box office and remains largely unknown by anyone outside of the rock n’ roll community or an avid b-list movie watcher: All This and World War II (1976).

Opening screen from the movie All This and World War II (1976)

Originally conceived by legendary record executive Russ Regan in a dream, All This and World War II took the idea of telling the story of World War II through the Beatles’s music. Set to various clips from golden era films and newsreels, All This and World War II was poised to be a ‘musical documentary’ covering the main events of the European and Pacific theatre from start to finish. With the only dialog coming from movie clips, and visual indicators of time/era/location from newsreels, the entire project makes for a very loosely driven narrative of the war. Nearly impossible to follow for the uninitiated of World War II, the film’s only redeeming quality had to come from a strong and powerful soundtrack. Still, despite the pure outlandishness of the film from concept, design, and editing, the film was given a full theatrical release by 20th Century Fox. With a $1.2 million dollar budget and a total bomb at the box office, the film was pulled from theatrical release after only two weeks.

Album art for the soundtrack to All This and World War II (1976)

Since then the film has largely remained in obscurity, not many people have really heard about it or remember it, those who do mainly recall the film from the soundtrack which made it on the charts and was quite popular in the late 70s. Drawing from the talents of many famous musicians such as Elton John, Keith Moon, the Bee Gees, Tina Turner, Peter Gabriel, and many more, the film used covers of Beatles songs rather than securing the rights for the original recordings themselves. Perhaps this is what gives the film its interesting flair, having such tracks as “Come Together” covered by Tina Turner set to a sequence of Americans rallying for the war effort or the Bee Gee’s rendition of “Sun King” providing the background tune to Japanese kamikaze pilots flying to Pearl Harbor.

An artist's parody of Tojo on the track page for the Bee Gee's cover of "Sun King"

Since its pull from theatrical release, it was rumored to have been destroyed by Fox, being remembered as an embarrassing experiment that failed miserably. However, the film did make it to several film festivals in very selective showings, and one more recent showing in 2007 at midnight in Los Angeles. While it never was released to the public the only available surviving copies derive from one single bootleg recording from a late night cable TV broadcast. Outside of people’s hands, and outside of the public’s consciousness, the film was regarded as one of the crown jewels of missing media, until the bootleg resurfaced and copies were made and digitized. Still, only a select few know about the film, and probably fewer have come to appreciate the outlandish concept behind it. If you can find a copy of it, it is probably one of the best little films to put on in the background as people watch, scratch their heads, and wonder what this whole thing is all about.

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-Trey Takahashi

 

http://www.earcandymag.com/rrcase-allthisww2.htm